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Sean Bentley

"In 1979, Sean went by the alias Lenny E. Beast . . ."
See profile by Herb Payton below.

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Grace & Desolation
by Sean Bentley

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info
description
quotes
author's bio
publisher's note
comments from readers


Have you read this book? Send your quips and comments to:
comments@cunepress.com

See Also
Sean Bentley's essay "Night Train to Pisa" in An Ear to the Ground.
For more
, click
Here

A featured poem from Grace & Desolation.
For more, click
Here

Sean Bentley's novel in manuscript, a comic tale that links Liverpool and the Pacific Northwest.
For more, click
Here

Info
Catalogue #: 001
ISBN: 1-885942-00-1  paper $9.95

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Description
In his long-awaited third collection, Northwest poet Sean Bentley wrestles with the "big things": love, death, birth, war.

Quotes

“Lively, soulful, conscienceful poems . . . strong and sturdy . . .”
- Albert Goldbarth

"Bentley's poems are played out in a theater where family, joyous and sad, moves onstage before the grim backdrop of geopolitics and military technology."
- John W. Marshall

"Bentley is daring, beautifully eloquent and intelligent, a superb image-maker."
- Leslie Norris

"Poise and clarity . . . great delicacy."
- Floyd Skloot


Author's Bio
Sean Bentley was born and currently lives in the Seattle area where he serves as a founding editor of the poetry magazine Fine Madness and works as a senior technical editor at Microsoft Corporation. His work has appeared widely over the last twenty years. His two previous books are Into the Bright Oasis (1976) and Instances (1979).

Publisher's Note
A profile of Sean Bentley (taken from An Ear to the Ground):

When I first met Sean Bentley in September 1979, he went by the alias of Lenny E. Beast. We were in Parrington 223b on the University of Washington campus where his father had held poetry workshops for nearly two decades. Beast, wearing his Captain America T-shirt, read "The Man with Meadows in Both Halves of Him, Living with It," written during a recent cross-country trip.

Since then Sean has turned me on to writers Albert Goldbarth, Colin Wilson, and H.P. Lovecraft; and I have turned him on to Glenlivet, Oban, Cragganmore, and other such golden elixirs from the highlands and lowlands of Scotland. I'm not sure who got the better deal, but they definitely go together.

Two instances stand out of life imitating art: on a journey we took to the Oregon coast during a powerful wind storm, Sean buried himself in a giant pile of seafoam; and one night in the Canadian Rockies, near the Athabascan glacier north of Banff, he took a burning stick from our fire and traced Picassoesque images against the frigid dark which hung glowing green in the air longer than we thought possible.

It is this spontaneous joy and beauty that make Sean's writing so compelling. His latest book, Grace & Desolation, pulls together the last six years of his life, which have seen the death of his father and the birth of his son.

- Herb Payton


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Comments from Readers
(send to comments@cunepress.com)

“Lively, soulful, conscienceful poems . . . strong and sturdy . . .”
Albert Goldbarth

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